Out of Touch

In this piece, Jehan transforms the contours of a woman’s presence into an abstract, liquid sensuality. The work was conceived during a period in which the artist was deeply attuned to the subtle gestures, emotions, and energies that shape intimacy. Rather than portraying the body directly, he dissolves it into flowing reflections—curves, glimmers, and molten colors that suggest skin, movement, and breath without ever declaring them.

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The painting becomes a landscape of desire and perception, where the feminine muse is felt rather than seen, and where the moment of creation—private, attentive, and emotionally charged—remains suspended within each shifting surface. It is an invitation to witness sensuality not as form, but as atmosphere.