<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title><![CDATA[Jehan Legac Shopping]]></title><description><![CDATA[Where creativity meets spirit — discover Jehan Legac’s divine feminine oil paintings and surreal art.]]></description><link>https://www.jehanlegac.com/blog</link><generator>RSS for Node</generator><lastBuildDate>Fri, 19 Jun 2026 09:13:07 GMT</lastBuildDate><atom:link href="https://www.jehanlegac.com/th/blog-feed.xml" rel="self" type="application/rss+xml"/><item><title><![CDATA[Resultados multimillonarios increíbles mientras el mercado se dispara.]]></title><description><![CDATA[Nuestras subastas de arte de los siglos XX y XXI, que atrajeron a compradores de EE. UU., Asia y otros países, vendieron el 96 % de los lotes y el 99 % del valor total. La obra Número 7A de Jackson Pollock, de 1948, alcanzó los 181,2 millones de dólares, Danaïde de Constantin Brancusi se vendió por 107,6 millones de dólares y Número 15 (Dos verdes y raya roja) de Mark Rothko por 98,4 millones de dólares; estas tres obras maestras establecieron nuevos récords mundiales en subasta. La magnitud...]]></description><link>https://www.jehanlegac.com/es/post/resultados-multimillonarios-incre%C3%ADbles-mientras-el-mercado-se-dispara</link><guid isPermaLink="false">6a1666eb05266e099bb55e28</guid><pubDate>Wed, 27 May 2026 03:57:48 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/e43dd3_1c857d576ca043e09f6cc428dd2ff687~mv2.png/v1/fit/w_1000,h_916,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Jehan  Legac</dc:creator></item><item><title><![CDATA[Crazy Billion-Dollar Results as Market Soars]]></title><description><![CDATA[Attracting bidders from the US, Asia and beyond, our 20th and 21st Century Art auctions sold 96% by lot and 99% by value. Jackson Pollock’s Number 7A, 1948 achieved $181.2 million, Constantin Brancusi’s Danaïde realised $107.6 million and Mark Rothko’s No. 15 (Two Greens and Red Stripe) sold for $98.4 million — all three masterpieces set new world auction records. The sheer scale of recent transactions is staggering. One piece of correspondence noted the significance of New York's $2.5...]]></description><link>https://www.jehanlegac.com/post/crazy-billion-dollar-results-as-market-soars</link><guid isPermaLink="false">6a165faece062e4a09f2734f</guid><pubDate>Wed, 27 May 2026 03:52:18 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/e43dd3_1c857d576ca043e09f6cc428dd2ff687~mv2.png/v1/fit/w_1000,h_916,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Jehan  Legac</dc:creator></item><item><title><![CDATA[Des résultats incroyables, en millions de dollars.]]></title><description><![CDATA[Attirant des enchérisseurs des États-Unis, d'Asie et d'ailleurs, nos ventes aux enchères d'art des XXe et XXIe siècles ont affiché un taux de vente de 96 % en nombre de lots et de 99 % en valeur. L'œuvre « Number 7A, 1948 » de Jackson Pollock a atteint 181,2 millions de dollars, « Danaïde » de Constantin Brancusi 107,6 millions de dollars et « No. 15 (Two Greens and Red Stripe) » de Mark Rothko 98,4 millions de dollars – ces trois chefs-d'œuvre établissant de nouveaux records mondiaux aux...]]></description><link>https://www.jehanlegac.com/fr/post/des-r%C3%A9sultats-incroyables-en-millions-de-dollars</link><guid isPermaLink="false">6a1666fc728b1d90f5e35731</guid><pubDate>Wed, 27 May 2026 03:38:22 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/e43dd3_1c857d576ca043e09f6cc428dd2ff687~mv2.png/v1/fit/w_1000,h_916,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Jehan  Legac</dc:creator></item><item><title><![CDATA[El arte de crear fealdad a partir de la belleza...]]></title><description><![CDATA[La Caverne du Pont Neuf (2026). Todo vale con tal de llamar la atención. Crear algo feo requiere la misma energía que crear algo bello, pero últimamente lo "feo" está en el punto de mira. Podríamos decir que cuanto más feo sea, mayor será la probabilidad de éxito. JR, un artista emergente que surgió de la nada, confirma esta regla con una nueva instalación impresa en blanco y negro en una cueva ubicada en uno de los puentes más bellos de París y, sin duda, el más antiguo. ¿Es realmente...]]></description><link>https://www.jehanlegac.com/es/post/el-arte-de-crear-fealdad-a-partir-de-la-belleza</link><guid isPermaLink="false">6a165ec326def75e495e0b65</guid><pubDate>Wed, 27 May 2026 03:03:35 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/e43dd3_baadfb55eeb042a199c33169fe080ce0~mv2.webp/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Jehan  Legac</dc:creator></item><item><title><![CDATA[The art of creating ugliness from beauty...]]></title><description><![CDATA[La Caverne du Pont Neuf (2026). Anything goes to get noticed. Creating something ugly requires the same energy as creating something beautiful, but lately "ugly" is in the spotlight. We could say that the uglier it is, the greater the chance of success. JR, a new artist who came out of nowhere, confirms this rule with a new black and white printed cave installation on one of the most beautiful bridges in Paris and undoubtedly the oldest. Is it really reasonable to offer such a setting to...]]></description><link>https://www.jehanlegac.com/post/the-art-of-creating-ugliness-from-beauty</link><guid isPermaLink="false">6a165d8d26def75e495e0a05</guid><pubDate>Wed, 27 May 2026 03:01:38 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/e43dd3_baadfb55eeb042a199c33169fe080ce0~mv2.webp/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Jehan  Legac</dc:creator></item><item><title><![CDATA[L'art de créer du laid sur du beau...]]></title><description><![CDATA[La Caverne du Pont Neuf (2026). Tout est bon pour se faire remarquer. Créer du laid demande néanmoins la meme énergie que de créer du beau mais dernièrement le "laid" est a l'honneur. Nous pourrions dire que plus c'est laid et plus la chance de succès se présente. JR, un nouvel artiste sorti de je ne sais où confirme cette règle avec une nouvelle installation de grotte en impression noir et blanc sur l'un des plus beau pont de Paris et sans aucun doute le plus ancien. Est-ce bien raisonnable...]]></description><link>https://www.jehanlegac.com/fr/post/l-art-de-cr%C3%A9er-du-laid-sur-du-beau</link><guid isPermaLink="false">6a150421b8fa3083ec19efba</guid><pubDate>Tue, 26 May 2026 02:44:31 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/e43dd3_baadfb55eeb042a199c33169fe080ce0~mv2.webp/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Jehan  Legac</dc:creator></item><item><title><![CDATA[Le corps comme langage]]></title><description><![CDATA[La figure féminine dans la peinture contemporaine : ce qu'elle porte, ce qu'elle refuse et l'état actuel de la réflexion. Chrysalis 150 x 150 cm, 60 x 60 in. | Peinture à l'huile originale sur toile Pendant la majeure partie de l'histoire de l'art occidental, le corps féminin fut une surface offerte à l'agencement, à l'idéalisation et à la consommation. Le peintre regardait ; la figure restait immobile. Ce dispositif a été, au cours des trois dernières décennies, méthodiquement déconstruit....]]></description><link>https://www.jehanlegac.com/fr/post/le-corps-comme-langage</link><guid isPermaLink="false">69e2bda74ab4dbc6502c677a</guid><category><![CDATA[Carnet de terrain]]></category><pubDate>Mon, 25 May 2026 15:13:11 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/87eb11_571a9b868c5547619d5c875c26b360ee~mv2.jpg/v1/fit/w_1000,h_892,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Jehan  Legac</dc:creator></item><item><title><![CDATA[El cuerpo como lenguaje]]></title><description><![CDATA[La figura femenina en la pintura contemporánea: lo que sostiene, lo que rechaza y el estado actual de la conversación. Chrysalis 150 x 150 cm, 60 x 60 in. | Óleo original sobre lienzo Durante la mayor parte de la historia del arte occidental, el cuerpo femenino fue una superficie destinada a la composición, la idealización y el consumo. El pintor observaba; la figura permanecía inmóvil. Ese orden, a lo largo de las últimas tres décadas, ha sido desmantelado metódicamente. Lo que ha surgido en...]]></description><link>https://www.jehanlegac.com/es/post/el-cuerpo-como-lenguaje</link><guid isPermaLink="false">69e2b94ebe30d2ca810cf0a9</guid><category><![CDATA[Cuaderno de Campo]]></category><pubDate>Mon, 25 May 2026 15:12:44 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/87eb11_571a9b868c5547619d5c875c26b360ee~mv2.jpg/v1/fit/w_1000,h_892,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Jehan  Legac</dc:creator></item><item><title><![CDATA[The Body as Language]]></title><description><![CDATA[The female figure in contemporary painting: what it carries, what it refuses, and where the conversation stands today. Chrysalis 150 x 150 cm, 60 x 60 in. | Original Oil Painting on Canvas For most of Western art history, the female body was a surface available for arrangement, idealization, and consumption. The painter looked; the figure held still. That arrangement has, over the past three decades, been methodically taken apart. What replaced it is more complex and harder to define: a set...]]></description><link>https://www.jehanlegac.com/post/the-body-as-language</link><guid isPermaLink="false">6982b0dde90da4b7522fa5f4</guid><category><![CDATA[Field Notes]]></category><pubDate>Thu, 21 May 2026 13:57:53 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/87eb11_571a9b868c5547619d5c875c26b360ee~mv2.jpg/v1/fit/w_1000,h_892,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Jehan  Legac</dc:creator></item><item><title><![CDATA[Quelle maison de ventes aux enchères a dominé en 2025 ?]]></title><description><![CDATA[Adrien Meyer vend le lot phare de la collection de Robert F. et Patricia G. Ross Weis, No. 31 (Yellow Stripe) de Mark Rothko, pour 62,1 millions de dollars chez Christie’s. Avec l’aimable autorisation de Christie’s Images Ltd. Margaret Carrigan · 21 avril 2026 Christie’s s’est une fois de plus hissée en tête, générant 3,5 milliards de dollars de ventes aux enchères d’art, soit une hausse de 10,1 % par rapport à 2024, bien que ce chiffre reste inférieur de 9,8 % à celui de 2023. Dans son...]]></description><link>https://www.jehanlegac.com/fr/post/quelle-maison-de-ventes-aux-ench%C3%A8res-a-domin%C3%A9-en-2025</link><guid isPermaLink="false">6a0e2759bafaa90a8080be9b</guid><category><![CDATA[Événements et actualités]]></category><pubDate>Wed, 20 May 2026 21:31:38 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/e43dd3_0577d15047924f74aa61a1ad10444c3d~mv2.png/v1/fit/w_1000,h_640,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Jehan  Legac</dc:creator></item><item><title><![CDATA[¿Qué casa de subastas lideró el mercado en 2025?]]></title><description><![CDATA[Adrien Meyer vende el lote más destacado de la colección de Robert F. y Patricia G. Ross Weis, No. 31 (Yellow Stripe) de Mark Rothko, por 62,1 millones de dólares en Christie’s. Cortesía de Christie’s Images Ltd. Margaret Carrigan · 21 de abril de 2026 Christie’s volvió a posicionarse en la cima, generando 3.500 millones de dólares en ventas de arte en subasta, un 10,1 % más que en 2024, aunque todavía un 9,8 % por debajo de 2023. En su informe anual, la casa destacó que la segunda mitad de...]]></description><link>https://www.jehanlegac.com/es/post/qu%C3%A9-casa-de-subastas-lider%C3%B3-el-mercado-en-2025</link><guid isPermaLink="false">6a0b883366657aedb57142c3</guid><category><![CDATA[Eventos & Noticias]]></category><pubDate>Wed, 20 May 2026 21:27:32 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/e43dd3_0577d15047924f74aa61a1ad10444c3d~mv2.png/v1/fit/w_1000,h_640,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Jehan  Legac</dc:creator></item><item><title><![CDATA[Hong Kong Breaks Records: Modern &#38; Contemporary Art Evening Sale]]></title><description><![CDATA[In a night of records, our Modern &#38; Contemporary Art Evening Sale soared 30% above its high estimate, led by a new auction record for Liu Dan, the second-highest price for Adam Pendleton, and an ultra-rare Renoir that realized more than double its pre-sale low estimate. More by PHILLIPS...]]></description><link>https://www.jehanlegac.com/fr/post/hong-kong-breaks-records-modern-contemporary-art-evening-sale-1</link><guid isPermaLink="false">6a0b823c2d44347bf90c20e1</guid><category><![CDATA[Événements et actualités]]></category><pubDate>Mon, 18 May 2026 21:19:13 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/e43dd3_2d8fdf7a00cb4b58bdab0185ed980998~mv2.png/v1/fit/w_1000,h_720,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Jehan  Legac</dc:creator></item><item><title><![CDATA[Hong Kong bate récords: Subasta nocturna de arte moderno y contemporáneo]]></title><description><![CDATA[En una noche de récords, nuestra subasta nocturna de arte moderno y contemporáneo superó en un 30% su estimación máxima, encabezada por un nuevo récord de subasta para Liu Dan, el segundo precio más alto para Adam Pendleton y un Renoir ultrarraro que alcanzó más del doble de su estimación mínima previa a la venta. Más de PHILLIPS ...]]></description><link>https://www.jehanlegac.com/es/post/hong-kong-bate-r%C3%A9cords-subasta-nocturna-de-arte-moderno-y-contempor%C3%A1neo</link><guid isPermaLink="false">6a0b813bbb3c19d22c48ce22</guid><category><![CDATA[Eventos & Noticias]]></category><pubDate>Mon, 18 May 2026 21:17:19 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/e43dd3_2d8fdf7a00cb4b58bdab0185ed980998~mv2.png/v1/fit/w_1000,h_720,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Jehan  Legac</dc:creator></item><item><title><![CDATA[Blue Ether and Gold à l'ArtExpo New York]]></title><description><![CDATA[ArtExpo New York figure parmi les foires internationales les plus emblématiques des États-Unis. Il s'agit d'une plateforme de grande envergure où galeries, artistes indépendants et collectionneurs se côtoient durant plusieurs jours au cœur de Manhattan. Cette année, l'œuvre Blue Ether and Gold a eu l'honneur de figurer parmi la sélection officielle. Cette huile sur toile se distingue par son grand format (150 x 150 cm). Elle met en scène une figure féminine aux tons turquoise profond, dont la...]]></description><link>https://www.jehanlegac.com/fr/post/blue-ether-and-gold-en-artexpo-new-york-1</link><guid isPermaLink="false">69ef94fd1e22f37401659718</guid><category><![CDATA[Le Parcours de l'Artiste]]></category><pubDate>Mon, 18 May 2026 20:32:56 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/87eb11_a3def555991f4916b92ca521781cdb7b~mv2.jpg/v1/fit/w_1000,h_853,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Jehan  Legac</dc:creator></item><item><title><![CDATA[Blue Ether and Gold en ArtExpo New York]]></title><description><![CDATA[ArtExpo New York es una de las ferias de arte internacionales con mayor trayectoria en los Estados Unidos; una plataforma de alta visibilidad donde galerías, artistas independientes y coleccionistas convergen durante varias jornadas en Manhattan. Entre las obras seleccionadas para la edición de este año se encuentra Blue Ether and Gold. La pieza es un óleo sobre lienzo de gran formato (150 x 150 cm). En ella, una figura femenina en turquesa profundo presenta una piel fragmentada por pan de...]]></description><link>https://www.jehanlegac.com/es/post/blue-ether-and-gold-en-artexpo-new-york</link><guid isPermaLink="false">69ef9373f86779fddcbe86d4</guid><category><![CDATA[Recorrido artístico]]></category><pubDate>Mon, 18 May 2026 20:32:11 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/87eb11_a3def555991f4916b92ca521781cdb7b~mv2.jpg/v1/fit/w_1000,h_853,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Jehan  Legac</dc:creator></item><item><title><![CDATA[Blue Ether and Gold at ArtExpo New York]]></title><description><![CDATA[ArtExpo New York is one of the longest-running international art fairs in the United States, a dense, high-visibility platform where galleries, independent artists, and collectors converge across several days of programming in Manhattan. Blue Ether and Gold was among the works selected for this year's edition. Blue Ether and Gold at ArtExpo New York This artwork is a large-format oil painting on canvas (150 x 150 cm). A female figure in deep turquoise, her skin fractured with gold leaf, fine...]]></description><link>https://www.jehanlegac.com/post/blue-ether-and-gold-at-artexpo-new-york</link><guid isPermaLink="false">69ef8edae72f74b1ddab2983</guid><category><![CDATA[The Artist’s Journey]]></category><pubDate>Mon, 18 May 2026 20:29:11 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/87eb11_a3def555991f4916b92ca521781cdb7b~mv2.jpg/v1/fit/w_1000,h_853,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Jehan  Legac</dc:creator></item><item><title><![CDATA[L'ESPACE QUI FAÇONNE L'ŒUVRE]]></title><description><![CDATA[Sur l'échelle, la présence et l'expérience physique de se trouver face au travail de Jehan Legac. Tender Collapse 150 x 150 cm, 60 x 60 in. | Peinture originale à l’huile sur toile. Une toile de 150 × 150 cm ne s'offre pas au regard comme le ferait une œuvre de plus petit format. Elle ne peut être appréhendée depuis une seule position, à distance confortable, les bras croisés. Elle demande au corps de négocier, reculer, s'approcher, incliner la tête. L'expérience est physique avant d'être...]]></description><link>https://www.jehanlegac.com/fr/post/l-espace-qui-fa%C3%A7onne-l-%C5%93uvre</link><guid isPermaLink="false">69d5be6a44654df3dbf34741</guid><category><![CDATA[Le Parcours de l'Artiste]]></category><pubDate>Mon, 04 May 2026 18:25:34 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/87eb11_3bb166d4ee0546da8a42722849259cd5~mv2.jpg/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Jehan  Legac</dc:creator></item><item><title><![CDATA[El espacio que da forma a la obra]]></title><description><![CDATA[Sobre la escala, la presencia y la experiencia física de estar ante el trabajo de Jehan Legac. Tender Collapse 150 x 150 cm, 60 x 60 in. | Pintura original al óleo. Un lienzo de 150 × 150 cm no se ofrece a la mirada como lo hace una obra de menor tamaño. No puede absorberse desde una sola posición, a una distancia cómoda, con los brazos cruzados. Exige que el cuerpo negocie: retroceder, acercarse, inclinar la cabeza. La experiencia es física antes de ser intelectual. Esta es una condición...]]></description><link>https://www.jehanlegac.com/es/post/the-space-that-shapes-the-work-1</link><guid isPermaLink="false">69d5bca3cba3fcbc19c0fd88</guid><category><![CDATA[Recorrido artístico]]></category><pubDate>Mon, 04 May 2026 18:25:07 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/87eb11_3bb166d4ee0546da8a42722849259cd5~mv2.jpg/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Jehan  Legac</dc:creator></item><item><title><![CDATA[The Space That Shapes The Work]]></title><description><![CDATA[On scale, presence, and the physical experience of standing before Jehan Legac's work. Tender Collapse 150 x 150 cm, 60 x 60 in. | Original Oil Painting on Canvas A 150 × 150 cm canvas does not offer itself to the eye the way a smaller work does. It cannot be taken in from a single position, at a comfortable distance, with the arms crossed. It requires the body to negotiate: to step back, to move closer, to tilt the head. The experience is physical before it is intellectual. This is a...]]></description><link>https://www.jehanlegac.com/post/the-space-that-shapes-the-work</link><guid isPermaLink="false">69afc68ade5ad9153e0cbb83</guid><category><![CDATA[The Artist’s Journey]]></category><pubDate>Mon, 04 May 2026 18:23:06 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/87eb11_3bb166d4ee0546da8a42722849259cd5~mv2.jpg/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Jehan  Legac</dc:creator></item><item><title><![CDATA[Hong Kong Breaks Records: Modern &#38; Contemporary Art Evening Sale]]></title><description><![CDATA[In a night of records, our Modern &#38; Contemporary Art Evening Sale soared 30% above its high estimate, led by a new auction record for Liu Dan, the second-highest price for Adam Pendleton, and an ultra-rare Renoir that realized more than double its pre-sale low estimate. More by PHILLIPS...]]></description><link>https://www.jehanlegac.com/post/hong-kong-breaks-records-modern-contemporary-art-evening-sale</link><guid isPermaLink="false">69f213f7d3f2ae6dd916fc00</guid><category><![CDATA[Events & News]]></category><pubDate>Wed, 29 Apr 2026 14:24:24 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/e43dd3_2d8fdf7a00cb4b58bdab0185ed980998~mv2.png/v1/fit/w_1000,h_720,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Jehan  Legac</dc:creator></item></channel></rss>